除了明显的空间隐喻外更耐人寻味的是半地下室的三扇小窗vs落地玻璃窗;扮演vs假装;剥离现实感造出疏离空间的舞台剧气息;那块压在大儿子身上的(道德)风景石;(前半部分)渗透着反讽气息的轻喜剧感;地下往地上发送的摩斯密码作为参照的电影应该不是《星空的资料》而是Alex van Warmerdam的《中国boy喷射战士合集》(Borgman)更深刻更有强度(但在2013年碰上了阿黛尔……)
王六六:106.82.201.180
such a beautiful movie, with reserved yet powerful emotions. tangible history, really taught perspectives. love the parallels between the boy's futuristic space fantasy and the discovery of untold history. and perhaps we can learn from both.